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BSG
J. S. Bach: Stirb in mir (BWV 169 #5)
BSG
5:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
Violin
1		 Treble 18 0 5 5 100%
Violin
2		 Treble 21 0 9 4 100%
Alto Treble 20 0 8 6 60%
Organ Treble 26 0 9 6 60%
 
J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis
BSG
1:21 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
Contrabass Bass 15 0 5 6 100%
Soprano Treble 6 0 1 4 100%
Tenor Treble 12 0 4 5 100%
 
Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet
BSG
4:46 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100%
Violin
1		 Treble 23 0 8 8 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100%
Violin
1		 Treble 23 0 8 8 100%
Violin
2		 Treble 21 0 7 8 100%
Viola 18 0 6 8 96%
 
J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)
BSG
3:15 Est. Play
Time
34 Measures
1,126Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
Violin
2		 Treble 18 0 5 6 97%
Contrabass Bass 18 0 5 5 94%
Vcl/Continuo Bass 18 0 5 5 94%
Viola 17 0 5 6 94%
Harpsichord Treble 21 18 7 12 44%
Bass 18 0 5 5 92%
 
Five beloved Bach continuo solos for realization exercise
BSG
1:27 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 0 7 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 0 7 6 100%
 
T.L. de Victoria: Aestimatus sum
BSG
1:53 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
Bass
2		 Bass 10 0 2 6 76%
Tenor
1		 Treble 10 0 1 6 64%
 
J.S. Bach: Sinfonia 9, F minor (BWV 795) (w/ detailed commentary!)
BSG
3:19 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 8 6 100%
Bassoon Bass 28 0 10 5 97%
Flute Treble 22 0 9 6 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 8 6 100%
Bassoon Bass 28 0 10 5 97%
Flute Treble 22 0 9 6 94%
 
J. S. Bach: Dona nobis pacem (BWV 232 final mvt)
BSG
3:12 Est. Play
Time
46 Measures
2,802Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
Bass 22 1 6 5 100%
15 0 3 5 100%
CtoR Treble 17 45 4 7 100%
Bass 18 0 5 6 100%
Tenor Treble 15 0 3 5 100%
Alto Treble 12 0 2 4 98%
Continuo Bass 20 1 6 5 98%
Contrabass Bass 20 1 6 5 98%
Bass Bass 19 0 6 5 93%
Flute Treble 14 0 3 5 93%
Soprano Treble 14 0 3 5 93%
Oboe Treble 18 34 5 6 82%
Trombe
1
amp;amp;
2		 Treble 11 0 1 5 51%
Timpani Bass 2 0 0 5 22%
Tromba
3		 Treble 11 0 1 5 22%
 
J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714
BSG
1:22 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
 
A. Turenkov: Разбойника благоразумнаго (The Wise Thief)
BSG
0:40 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 6 100%
Soprano Treble 13 8 2 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 6 100%
Soprano Treble 13 8 2 6 100%
Tenor Treble 13 8 3 6 100%
Bass Bass 16 10 1 5 96%
 
J. S. Bach: Erbarme dich, mein Gott (Matthäuspassion, BWV 244, #39), with phrasing and proper appoggiature.
BSG
6:14 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
Violas 22 0 8 4 98%
Violins
1		 Treble 19 0 6 7 98%
Violins
2		 Treble 22 0 9 4 98%
Alto Treble 17 0 6 7 75%
 
J. S. Bach: Christus, der uns selig macht (Urfassung; BWV 620A)(on Grabowski/Hauptwerk Giubiasco)
BSG
1:51 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 8 6 94%
Bass 17 0 6 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 8 6 94%
Bass 17 0 6 6 100%
Bass 12 0 3 5 100%
Bass
Trombone		 Bass 12 0 3 5 100%
 
J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)
BSG
3:22 Est. Play
Time
57 Measures
1,948Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 23 0 8 4 100%
Cto Bass 23 0 8 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 23 0 8 4 100%
Cto Bass 23 0 8 4 100%
Oboe Treble 21 0 7 7 96%
Violin Treble 24 0 9 8 93%
Flute Treble 21 0 8 8 91%
Bass Bass 16 0 5 7 60%
Tenor Treble 18 0 6 7 60%
FluteXEC Treble 8 0 4 1 9%
OboXec Treble 5 0 2 1 7%
 
J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)
BSG
4:32 Est. Play
Time
59 Measures
1,535Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cb/Cto Treble 26 57 9 6 99%
Bass 23 0 8 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cb/Cto Treble 26 57 9 6 99%
Bass 23 0 8 6 100%
Contrabass Bass 23 0 8 6 100%
Vcl/Cb. Bass 23 0 8 6 100%
Tenor Treble 17 0 7 6 97%
Viola 17 0 7 6 97%
Alto Treble 17 0 7 5 86%
Violin
2		 Treble 17 0 7 5 86%
Ob.
d'Am		 Treble 23 0 9 5 85%
Flute Treble 16 0 6 4 76%
Soprano Treble 16 0 6 4 76%
Violin
1		 Treble 16 0 6 4 76%
Bass Bass 20 0 7 5 75%
Fagotto Bass 20 0 7 5 75%
 
T.L de Victoria: Eram quasi agnus
BSG
2:19 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 98%
Soprano Treble 14 0 4 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 98%
Soprano Treble 14 0 4 6 98%
Tenor Treble 10 0 2 6 94%
Baritone Bass 12 0 3 6 59%
 
J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)
BSG
2:43 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 4 6 100%
Treble 16 0 6 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 4 6 100%
Treble 16 0 6 4 100%
Realization Treble 16 46 5 7 100%
Tromba Treble 11 0 1 5 100%
Viola 18 0 6 6 100%
Continuo Bass 25 0 8 4 92%
Violoncello Bass 25 0 8 4 92%
Alto Treble 14 0 4 5 81%
Bass Bass 16 0 4 4 81%
Soprano Treble 11 0 1 4 81%
Tenor Treble 15 0 5 6 81%
 
F. Couperin: Troisième Leçon pour Mercredy Sainct à deux voix
BSG
2:51 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pan
Flute		 Treble 17 26 4 5 100%
Violoncello Bass 20 0 4 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pan
Flute		 Treble 17 26 4 5 100%
Violoncello Bass 20 0 4 5 100%
Soprano Treble 13 0 2 10 95%
Treble 13 0 2 10 93%
 
J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)
BSG
3:10 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
Oboe Treble 20 0 8 9 74%
Bass Bass 15 0 3 5 67%
Soprano Treble 17 0 6 7 64%
 
Georg Böhm (1661-1733): Vater unser im Himmelreich
BSG
4:00 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Bass 24 0 8 3 100%
Pan
Flute		 Treble 26 16 7 6 95%
Oboe Treble 20 0 6 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Bass 24 0 8 3 100%
Pan
Flute		 Treble 26 16 7 6 95%
Oboe Treble 20 0 6 8 89%
 
Arcangelo Corelli: Christmas Concerto (1690), Allegro (poss. model for JSB B Minor WTC-I prel.)
BSG
4:15 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 3 4 100%
Treble 18 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 3 4 100%
Treble 18 0 5 5 100%
Reallzation Treble 23 32 8 7 100%
Violoncello Bass 20 0 4 4 100%